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Curator Zhao Yong Gang tours Shanghai,
China’s staggering boomtown, as it reclaims the title of world’s
wickedest city
By Dan Washburn
Photographs by Andrew Rowat
 Pudong skyline
IN A 1935 ARTICLE TITLED “THE
SHANGHAI BOOM,” Fortune magazine called the city “the cradle of
new China” and detailed its “orgy of building,” “fantastic
piling of wealth upon wealth,” and “gaudy, cacophonic mixture of
the East and the West.” That breathless portrait of the city is
more apt in 2007 than ever.
Before World War II, Shanghai earned
the label “the Paris of the East” with a decadent culture of
jazz, sex, gangsters, opium, and corruption. The party came to an
abrupt end with the 1937 Japanese occupation and the subsequent rise
of Communism. Today, after a gradual shift from Soviet-style
austerity to capitalism with Chinese characteristics, China is poised
to overtake Germany as the third-largest economy on the planet, after
the U.S. and Japan. And Shanghai, as king of the Chinese economic
castle, is reassuming its mantle as the world’s hottest city.
The career of Shanghai curator Zhao
Yong Gang — like China's nascent art scene — has mirrored
Shanghai's stratospheric rise. Though the outside world had little
interest in the country's art a few years ago, today collectors
consider Chinese contemporary art a great way to cash in on China's
"It" factor. Thanks to a keen eye for talent and an
impeccably timed decision to try his hand at dealing art (Zhao was a
struggling artist until 2004), the 32-year-old now owns two prominent
Shanghai galleries and is considered a rising star in the
increasingly big-business world of Chinese contemporary art. Last
fall, Zhao took Go on an insider's tour of the best haunts in the
city.
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